How to Truly Push Your Game to the Next Level
By Brian Earhart (PDGA
With this said, something I’ve found to be an strong indicator of disc golf’s young age is the fact that it seems the best players, the true ‘professionals’ who are grinding it out on the road to make their livings, are acting as their own coaches and are teaching themselves how to play the sport for the most part. Look at any top athlete in a mainstream sport; are they winning events on their own? Not exactly. They almost always have people supporting them who are extremely well educated in their craft who offer their insight as to how to continue to optimize the cognitive and physical abilities of the player as they practice. At this point, there just aren’t many credible people in disc golf who would be able to help top players push their talents any farther. I want to at least attempt to change that.
This will be my first of my coaching articles on HeavyDisc. This one will focus on the dreaded learning plateau that can drive any competitive golfer absolutely insane.
Whether you’re a recreational disc golf enthusiast who plays in an occasional C-tier or you’re a competitive scratch rated golfer who makes a modest living playing the sport, there is a strong chance that you’ve reached a point in your game where you feel stagnant and uninspired. You’re practicing constantly and nothing seems to be improving; it seems like you’re actually regressing as an athlete and that you’re wasting your time. You’ve hit a plateau in your improvement. Does this mean you’re actually regressing? Does this mean you’ve reached your peak? ABSOLUTELY NOT. As frustrating as it may be, a learning plateau is almost never a physical issue, but a very fixable mental mistake.
The fact that disc golf has very little scientific data behind it means that we need to look to other sports or similar art forms to gather information from individuals who have committed their lives to teaching and mastering their craft. I’ve recently found that the psychology behind training for music feels extremely similar to the ideal mindset that needs to be had when trying to become a better disc golfer. Becoming a masterful musician requires having an overwhelming hunger to push your mind’s limits and a strong internal desire to practice certain skills for hours on end, just like disc golf. The difference between disc golf and music is that music performance is studied endlessly by some of the most brilliant minds on the planet. We as disc golfers, with very little scholarly studies and articles about the sport specifically, have the luxury of being able to take the findings of these brilliant minds and translate them to make sense in the realm of disc golf.
Dr. Noa Kageyama, a performance psychologist and graduate of the world-renowned Julliard Academy of Music, writes that when it comes to learning plateaus, it’s not due to a lack of practice. It’s due to a lack of understanding of what needs to be practiced. In a blog post he writes, “We cannot work on things that aren’t in our conscious awareness.” As obvious as this may seem, this short phrase packs a very powerful punch when given some thought. It explains why countless hours of practice may not have any effect, despite the popular phrase that says “practice makes perfect”. While it is very true that “perfect practice makes perfect”, what is perfect practice when you don’t know what perfect is? Kageyama writes that a very important aspect to learning and improving is letting go of our egos and finding someone who can supervise practice sessions objectively; in disc golf it means having a respected local professional watch videos of fieldwork, accompany you in casual rounds, or simply analyze the equipment being used to do such practicing. Gaining a different perspective from a credible source can go a very long way.
For example, as an intern at the PDGA’s headquarters I was occasionally in charge of manning the pro-shop at the International Disc Golf Center, helping people pick out and buy plastic. One day while working I was visited by a rather distraught looking individual. With a discouraged tone he explained to me that he just couldn’t throw straight or hit longer putts. He had been playing for a couple years and had grown tired of not shooting well on the tight and technical Georgia courses. I asked him to show me what he was throwing and right then and there I fixed his problem and increased his knowledge of disc golf. He was throwing three discs, and all of them were extremely overstable (discs not meant to fly straight). I helped him to pick out three discs with very neutral flight patterns and the rest was history. He came back from the course with a huge grin, saying he had shot the best round of his life. It’s a simple, but prime example that shows how increasing your knowledge of the sport can help break through those pesky plateaus.
Despite this man playing the round of his life, he will soon face another plateau. The crazy thing about learning plateaus is that they never end. Dr. Kageyama writes that when it comes to plateaus, “We don’t ignore them on purpose. Often, we simply cannot see what the biggest areas for improvement in our playing might be.” Even the best players in the world will face times when a certain physical skill or mental trick isn’t as optimal as they’d like. Once the exact lacking skill is identified, the training needs to be specialized with specific goals to master the skill and push on to the next plateau. For example, it’s not enough to say that your putting needs to improve. You need to understand what aspect of your putt causes you to struggle and develop a practice regimen that aims to tackle that problem. If your putting stroke inside the circle feels inconsistent, learn what the “perfect stroke” feels like to you. Your goal then would be to groove that stroke into your muscle memory through specialized practice. Perhaps you start your practice by putting a few with your eyes closed to focus on feeling that perfect stroke rather than simply making the putt. To explain how to go about addressing these bouts of stagnation and improving, professional music coaches like to use the conscious competence model. Kageyama describes the model:
“The first stage is unconscious incompetence, where we are blind to the things we need to work on.
The second stage is conscious incompetence, where we have an awareness and understanding of what it is that we need to work on.
The third stage is conscious competence, where we have worked on developing the new skill, but it still takes a great deal of awareness and concentration to execute. The skill hasn’t yet been automatized.
The last stage is unconscious competence, where the new skill has become second nature and is performed easily without needing to think about it.
We’re pretty good at stages 3 and 4, and can even navigate our way through stage 2 in many cases, but we can speed things up by getting outside help with stage 1.”
Atul Gawande, a famous surgeon and coach of surgeons, during a presentation focused on performance at the 2011 New Yorker Festival, said that the people who are great at what they do, whether it’s in surgery or tennis or basketball or any other thing that people have committed to mastering, have gotten that way by having a keen ability to identify and deliberately practice the things that they’re worst at. The conscious competence model is a never-ending cycle for those seeking to master their craft and the more times you complete that cycle, the more you’ll improve. Gawande states, “there is talent, but there is no talent that is ready-made with perfection.”
So, with all this said, what does this all mean in terms of disc golf? It means that regardless of your athletic ability or skill level, every single player has the ability to improve. There should never be a moment in one’s mind where he/she should think they’re good enough and what they’re doing is sufficient if they truly strive to be the best they can be. Learning plateaus are inevitable but developing the ability to identify them, and to study and master underdeveloped skills through deliberate, specialized practice is a choice that every single player of this beautiful sport is able to make. The sky is the limit if you’re simply able to admit to yourself that you’re not quite there yet.
I hope you all took something from this article whether you’re a scratch rated pro or an amateur. I want to continue to study this game at a higher level and write about my findings, so please leave some feedback! My next article will look further into improving from practicing correctly. I want to offer some advice that disc golfers and ultimate players alike can take something from and apply to their own practice regimens. The 2014 season is right around the corner!
(And in case you missed it, here's a full interview with Brian)